Life As A Freelance Actor: What It’s Really Like

Freelance actor sitting in the theatre. By the audience section. Among red chairs.

Dreaming of a freelance acting career?

This Is Not a “How to Get an Agent” Guide. Neither is it one of those “How to Make It in Hollywood” checklists. Or a step-by-step guide to casting websites.

This is about the real-life challenges of actually living as a freelance actor.
Mentally, practically, creatively. — I want to share the systems I’ve built to cope with them.

First, we’ll look at the challenges of freelance life. Then how to build skills beyond performance. And finally the systems I use to stay grounded, paid and find meaning in my creative life.


Finding Honest Information About Acting

There’s a lot of noise out there.
Acting schools pushing $30K programs.
Agents promising breakthroughs.
Online casting platforms selling subscriptions.

Yet very few sources actually describe what life is like.
Unless you know people in the industry, it’s hard to form a realistic idea of how to create a sustainable career — or even how to keep your sanity once you’re in.

And I’m not talking about how to perform well on stage or screen.
That’s a different article.
I’m talking about building a career you can actually feel good about.

And the tasks you actually need to handle. 


What It Actually Takes to Build an Acting Career

If fame is your goal — fine.
Honestly, most actors start there.

But the motivation that keeps you going will change many times throughout your career.
Regardless of your dreams, you need to equip yourself with knowledge based in reality, not fantasy.

I believe in dreams.
But turning them into reality has very little to do with “being discovered” — and everything to do with building a way of life.

Essentially. Building an acting career is about building the right habits.

It means you’re immersed in the different areas of this industry. Because you are passionate about the craft and the stories that are being told in modern society. 

Storytelling is such a vital aspect of what shapes the morals and values we live by.


1. The Mental Reality: Living Without Anchors

The Challenge No One Prepares You For

Let me explain with a simple comparison:

At seven years old, most of us adapt to a familiar rhythm:

  • A classroom
  • A teacher
  • Classmates
  • Routine

Later in life, most people trade that for:

  • An office
  • A boss
  • Coworkers
  • More routine

But as a freelance actor?

You have none of that.

You have colleagues — but only during projects.
You have a workplace — but it shifts every few months.
You rarely know where you’ll be working six months from now — or if you’ll be working at all.

It’s not just the instability of income.
It’s the instability of identity, belonging, and daily life.

Every time I move to a new city for a role, it takes me a while to “find myself” again.
The routines break. I have to rebuild my sense of stability.

It can be draining — even disorienting.

Which is why I had to create systems to keep myself grounded — even when everything around me keeps changing.


(More on that later.)

I made a short video about my experience of moving for a theatre gig here:

I guess you can call it a “journal video”. With a voiceover from a phonecall.

2. The Lifestyle Challenges: More Than Just Acting

Why Actors Need More Than Performance Skills

Yes, the foundation of any acting career is craft.
Acting is practical knowledge — you have to regularly stand in front of a camera or audience.
You can’t learn acting in theory.

But that’s not enough.

Most actors I know are naturally curious people — about other people, about life.
They’re avid readers, attentive listeners, lifelong learners.

You’re not just a performer.
You’re a collaborator.
Actors need great communication and leadership skills.
They need to know how to lead and how to follow.

This isn’t a job where you can hide behind a desk when you’re having a bad day.
You have to show up and be emotionally presentno matter what.

I know actors who have performed on stage while their parents where dying. I know, its sad. But it takes a lot to cancel a show. And for many theatres theres a lot of money involved.

And over time, you also learn what kind of actor you are.
Who you work well with.
How to be both an artist and a partner.

Growing as an actor means growing as a human being.

Thats the best way to grow a personal brand anyway. Because as your reputation grows. People will start mentioning your name.

And that far better marketing then having pretty photos of you on instagram.


Identifying Yourself As an Actor — Without Losing Yourself

When I tell people I work as an actor, I can feel the hesitation:

“Right… you mean waiting tables nine months, and acting three?”

When I was younger, my answer would depend on whether I was working at the time.
Essentially — it depended on my confidence level.

Today, I know better.

My profession is acting. Its the only thing I know well.
Regardless of whether I have a job lined up this week or not.

However — I don’t say “I’m an actor” like it’s my entire identity.
Why?

Because if acting is your identity, then not working feels like losing yourself.
And that’s a dangerous loop to fall into.

When I didn’t have gigs, I used to spiral:

“Am I talented enough? Should I switch careers? What will people say about me?”

Here’s my point:

  • Claim your professional status as an actor.
  • But don’t make it your entire identity as a human being.

3. The Financial Reality: Waves You Have to Surf

The Gig Economy — for Artists

Freelance work as a professional actor isn’t just about performing.
It’s about running a service business, – and you are the product.

The photo above is a BTS photo from filming “The Hypnosis”.

Being on set is a good reminder that you are a small piece of a bigger puzzle. On you are there, to be of service for the production.

Dont make the mistake of thinking its about you. Acting is paradoxical in that way. Because it seems like its about you. The makeup artist is focusing on you. The director. The first AD.

But you are a tool for the story. Its never about you as a person.

In a good year, I might do two theater productions, four months each.
In between, I fill the gaps with voiceover gigs, film work… or chasing gigs.

When there’s no work?

I’m lucky — Sweden has strong unemployment support (a-kassa).
It gives me breathing room to hustle properly.

Basically, finding work through:

  • Sending emails to casting agents
  • Outreach for in-person meetings
  • Networking with industry professionals
  • Watching plays and TV shows to write smarter pitches
  • Attending industry events
  • Updating social media profiles, like IMDb & Spotlight. 

Freelance acting means you work part-time in marketing and sales.

It’s about building relationships — and regularly reminding people that you exist.

Another part is continuously improving your craft: 

  • Classes or workshops
  • Voice exercises
  • Dancing
  • Keeping you body in shape

What a Week Looks Like When You’re Not Working

Self tape recording setup in my livingroom. My camera, lights and sound equipment.

Some days I’m the marketer.
Other days I’m the cinematographer (recording self-tapes like in the photo above).


The next day, I’m the researcher. Trying to figure out the industry. What people to email. What productions are coming up. Or what photographer I should book when I need new headshots.

Another day Im the accountant. Sending invoces for my voice-over jobs.  Or the copywriter.

Every freelancer knows: there’s always something you could be doing.

Personally, I’m bad at taking time off.
Every gap in my schedule is filled with the hope that I’m setting up my next move.

Auditions that go nowhere.
Grant writing. Admin.

Free time?
Yes and no.


The Financial Rollercoaster

It took me many years to build a living from freelance acting.
The reason it took so long? Mostly due to a lack of strategy, consistency, and real-world skills.

Talent matters.
But adaptability, planning, and self-worth matter just as much.

Most beginner actors won’t see much income in the first few years.
You might land occasional gigs, but a steady income usually takes years to build.

Money comes in waves.
Some months you feel rich.
Other months, you feel invisible.

That’s why I’ve spent time learning about investing — to build my own financial safety net.

My goal?
To always have enough savings to survive one year without a job.


Survival Jobs, Side Hustles + Side Gigs

Side gigs are crucial in your first years. Not only for economic reasons. Having a place to go and colleagues is crucial aswell.

Key rule: they must be flexible and not draining.
If a side gig prevents you from accepting acting work — it defeats the purpose. 

Personally, I built my own voice-over studio. Voice acting is a great side gig in my opinion. Because it lets you stay focused on your career path. And develop your skills in the right field.

You can start small & improve over time.

I started with a simple setup. And found gigs on Fiverr and Upwork.

Now, I have a broadcast-quality studio setup. With a much broader customer base. And I can work from home with time flexibility.

I’m also leaning into digital content — like this blog.
Hoping someday it will generate an extra income stream.

Other gigs I’ve had:

  • Delivering cars (great for listening to podcasts!)
  • Working in psychiatry
  • Telemarketing
  • Videographer (also a great skill for self-tapes)

My advice?

Find something flexible, grounding, and meaningful enough that it feeds you emotionally, not just financially.


4. How to Stay Grounded (Even When Everything’s Shifting)

How to Build Emotional Stability

Routines are sanity.
Structure gives freedom.

As human being we need to feel like we belong somewhere. Most people find that on a daily basis at their jobs. With their families.

But if you don’t have a “regular job”. You can build that sense of consistency in other ways.

Here’s what helps me:

  • Weekly check-ins and planning (even if the week looks empty)
  • Daily anchoring with morning routines (meditation, stretching, journaling)
  • Setting non-outcome goals (developing my craft, not just getting booked)
  • Having hobbies outside of acting (Brazilian Jiu Jitsu for me). Where you meet people regularly and build a strong connection with others.
  • Building personal projects (so you don’t wait for permission)
  • Growing a creative presence online (like this blog). For a sense of autonomy and ownership.

Personally, I believe all actors should have their own projects. Like films, theatre or just writing.

You don’t have to be a filmmaker. But you can take the initiative for short films. Then find a director and a screenwriter. 

Or you can start a theatre group. And invite other actors and actresses. Find the right people that inspire you. That you have a good time with – that’s the key. 

You’re not just waiting for permission to act.
You’re building a career — even during the gaps.


Why I Keep Doing This (Even When It’s Brutal)

Some days, it’s demoralizing.

But then there’s that one moment:

  • A role that hits deep.
  • A collaboration that clicks.
  • A moment of expanded presence on stage. (Every actor know it. Its a magical moment of bliss when everyone in the room is absolutely present together)

That’s what I live for.
Meaning. Impact. Creative aliveness.

Acting is about self-expression made visible — connection made possible.

Whether it’s a feeling in the room, a message from an audience member. Or simply surprising myself with a performance I didn’t expect…

Those moments keep me here.


What I Wish I Knew When I Started Freelancing

  • You’re not behind — you’re in progress.
  • Development as an actor goes hand in hand with your personal growth.
  • If you don’t land a role, it’s rarely about talent alone.
  • Take every opportunity seriously — or don’t do it at all.
  • Keep making things — even when nobody’s paying you.

Time spent acting equals talent.


Conclusion: Real Talk and Real Hope

Freelancing as an actor is one of the most uncertain paths you can take.
But it’s also one of the most alive and fulfilling.

It’s a path of deep self-discovery — probably more than any profession.
You’ll be forced to discover yourself on every level.
And you’ll also discover the world around you.

You won’t always feel in control — but you can feel grounded.
You won’t always feel ready — but you can keep moving anyway.

I hope this article resonated with you. And brought you some valuable insight. 

Frequently Asked Questions.

Absolutely — in fact, most actors are freelance whether they call it that or not.
When you work from project to project, without permanent employment from a single theater or production company, you’re freelancing.
It means you have to handle your own marketing, finances, and emotional resilience — because no one’s guaranteeing your next gig.
But the upside is freedom: you choose your projects, your path, and ultimately, your lifestyle.

Start small — but start.
Nobody is “born experienced.”
Get into classes, local theater, student films, indie projects — anything that gives you real practice.
You’re not just learning performance skills. You’re building connections, building credits, and building belief in yourself.
At first, it’s less about who sees you, and more about who you’re becoming.
One small project leads to another. Then another. And momentum builds.

Being an independent actor means you create opportunities, not just wait for them.
You develop your craft, build your own network, stay ready for auditions — and at the same time, you create personal projects.
You produce your own work, record self-tapes, make short films, or perform in indie theater.
You don’t wait for a big agent or studio to “find” you.
You stay in the game by being proactive — and eventually, opportunities start finding you because you’re already moving.

Treat yourself like a business from Day 1.
This means:

  • Keep your resume, showreel, and headshots up to date.
  • Stay financially organized (track income/expenses, build savings).
  • Regularly apply, audition, and network.
  • Keep developing your craft, even when you’re not booked.

Also — build emotional endurance.
Freelancing isn’t just a practical hustle. It’s a mindset: keeping momentum when no one’s clapping for you yet.

Yes — but getting there is a journey, not a shortcut.
Netflix actors usually come through strong agencies, casting directors, and many years of building credits.
Start where you are: small roles, theater, indie films.
Build relationships with casting directors who also cast Netflix productions.
Focus on improving your craft and getting professional materials (headshots, reels) that truly represent your best work.
Netflix needs actors just like any other production — but you have to be visible, ready, and professional when the opportunity comes.

In the beginning — yes. And honestly, for many actors, it stays that way for a while.
Especially when you’re building your career, acting might need to coexist with side gigs that pay the bills.
That’s normal. It doesn’t make you “less” of an actor.
The key is setting your life up so that your side work supports your acting dreams — not competes with them.
Over time, if you stay consistent and strategic, you can shift the balance toward acting becoming your main source of income.

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